Improvising

Our practice of improvisation originates from the need to break with the current way of composing and performing even with that of the contemporary and avant-garde music. Our mutual love for late Romantic music, Wagnerian, Mahlerian, Brucknerian atmospheres and for Opera led us to express ourselves with maximum freedom and a strong affinity which enables us to communicate musically with immediacy. We invite the audience to create private intense emotional situations through music. It is a kind of "emotional" music, an inducement to become "composers through listening", without structural or descriptive constraints. In nearly all the pieces you can find an exasperated chromatism which tends to deny what it has just resolutely asserted as if it wanted to burn the thoughts that it has just aroused in order to create new ones: a feverish run towards something never final, never conclused. (Marco Falaschi, Ettore Candela)